For Blake, the realisation that a Systems Thinking approach was fundamental came through his work on soil erosion in East Africa. There, soil is washed off the land into rivers, resulting in sedimentation and pollution. Erosion affects not just food production (millions of hectares of arable land and grazing areas are lost) but also water quality and even energy because of disruption to hydropower plants.
“We came up with all the evidence but when people asked ‘How are we going to change this?’ I realised I’d been looking at it through a single lens,” he says. “Only when I began working with social scientists did I appreciate the true complexity of the problem. For example, ‘overgrazing’ was not a cause but a symptom of wider socioeconomic and cultural pressures.
“Using a process of co-design brought us tangible solutions and Systems Thinking became a very intuitive process.”
Systems Thinking is also influencing policy in Britain at governmental level, and we are now seeing positions such as the Head of Systems in Defra – incidentally taken by a former student of Thompson’s. Blake and Thompson are keen to encourage collaboration and instil in students an appreciation that will inform their field work.
“It’s about changing the way students approach complex problems,” says Blake. “A key aspect for me is the interdisciplinarity,” adds Thompson. “It’s not dumbing down specialisms, it’s about connecting them. Our faculties have areas of disciplinary excellence and the institutes are a melting pot for those ideas and knowledge.”
Building on substantial funding success in environmental research, several more applications that are out for projects will bring together academics from across the University, including medicine and the arts, to tackle a range of challenges.
The Song of the Sea project, launching during COP26, attempts to explain the complexity of cause and effect on the ocean through a piece of data-inspired music created by experts at the University. It takes the notes of the old sea shanty Drunken Sailor and distorts them using digital signals from the February 2014 storm that battered the South West.
“We are illustrating climate change as a large storm event. Choosing Drunken Sailor is a way of suggesting humanity’s overindulgence,” says Thompson. “I see the arts as absolutely fundamental to how we visualise and explain problems to an audience who wouldn’t engage with a scientific paper. It’s another example of the way that Systems Thinking is needed. For me, it is a key direction of travel, not just for the University but for the planet.”