Exhibitions

Heidi Morstang: Field Observations presented selected films and photographic works, made since 2001, where landscape is the principal line of inquiry exploring various ways humans intervene with and in it.

The artworks, some made during interdisciplinary expeditions to unfamiliar geographic and conceptual terrain, are an observation of a fragile natural environment, and the increasing changes in the climate that has now become a global emergency. Morstang has filmed and photographed glaciers in the Arctic, boreal forests at midsummer, rapid light changes between polar night and day, and butterflies in the Sierra Nevada mountains. They feature geoscientists searching for ancient scars of earthquakes in the Arctic, scientists dedicating their lifetime work to the study of how climate change affects butterfly populations, and the beacon of hope in the form of the Svalbard Global Seed Vault. 

Supported by the Norwegian Embassy.

Heidi Morstang is an Associate Professor in Photography at University of Plymouth.

Held every five years to showcase work of British artists who have made a significant contribution to international contemporary art, the ninth British Art Show (BAS9) returns to Plymouth for a second time.

This four venue, city-wide exhibition, welcomed 37 artists in total, including Abigail Reynolds, Cooking Sections and GAIKA who showed in The Levinsky Gallery. The exhibition was accompanied by a fascinating programme of films, bite size gallery insights and evening talks.

On The Move was a major presentation of Italian artist Anzeri’s practice from the last decade, alongside newly commissioned works. It was the outcome of a three-year dialogue with the artist, whose work responds to, and resonates with The Box’s diverse collections and narratives. 

Breaking the Mould challenged the male-dominated narratives of post-war British sculpture by presenting a diverse and significant range of ambitious works by women. It was the first survey of post-war British sculpture by women, providing a radical recalibration, addressing the many accounts of British sculpture that have marginalised women or airbrushed their work from art history altogether. 

This award-winning exhibition took visitors on an epic journey that traversed three states, three deserts and some 500,000 square kilometres, travelling from west to east: to places in the deserts of the Martu, the Ngaanyatjarra and the Anangu Pitjantjatjara Yankunytjatjara (APY) peoples. Using the power of contemporary art, performance, song, photography and multimedia, Songlines shared ancient stories from the world’s oldest continuing culture.