Creating the maps: Rose Ferraby
"Each map was a process of exploration in itself. I had to feel my way into what material or technique best suited these imagined landscapes. I used the cut pieces of collage to form a quarried and recycled cityscape. Abstract markings of acrylic and charcoal explore the cartography of eroding landscapes. The cross-section of a manganese nodule became an island surrounded by an ocean topography – the veins carving the seascape into deep-sea mining territories. I was inspired by a sealskin map made by the Chukot of the Bering Straits and maps of Aboriginal ‘dreamings’ to explore resource exploitation, ice melt and the vast networks of shipping lanes, playing with ideas of disorientation but also connection.
Making these maps feels like a beginning. The process invites you to think backwards and forwards in time, to see where they will take us."