Key features
- Develop your confidence and writing skills in an environment supportive of creative work.
- Produce a substantial writing project which you can submit to publishers and agents.
- Benefit from the depth of experience and knowledge shared by our staff, including several award-winning writers, and visiting writers.
- Expand your own writing experience through submitting work to student publications such as Ink, and the University press published literary journal, Short Fiction. Get involved with professional organisations such as
The Bridge . - Increase your critical self-awareness on a programme designed to round you as a writer.
- Enrich your learning experience through workshop-based seminars that allow you to explore the diverse strands of creative writing, from stories to screenplays.
Course details
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Programme overview
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You’ll attend four workshop-based seminars, detailed below. Throughout the term you’ll submit your best work in an environment dedicated to writing success. Writing is complemented by the reading of established authors in order to give you that all-important sense of literary context. Experienced tutors lead small seminars exploring the nuances of craft and the compositional process. We believe that all kinds of writing can inform each other, and ensure you study fiction, poetry, creative non-fiction, and dramatic writing (for stage and screen), before settling down to write your dissertation in a singular mode. Your dissertation will comprise a collection of poems, a stage or screen-play, or 20,000 words of prose from a story collection, novel or creative non-fiction. The ultimate goal is to help you to take your private writings to the public sphere. Full-time students take two modules per term, while part-time students take one module per term.
Core modules
CWMA701
Fiction: Stories and NovelsThis module aims to benefit student fiction writing via workshop methodology (whereby students submit and receive feedback on their fiction from tutor and peers). Weekly reading of published authors will be discussed as a way to further student understanding of the art and craft of fiction writing.
CWMA702
Poetry and Creative Non-FictionThis module aims to benefit student poetry and creative non-fiction writing via workshop methodology (whereby students submit and receive feedback on their fiction from tutor and peers). Weekly reading of published authors will be discussed as a way to further student understanding of the art and craft of poetry and creative non-fiction.
CWMA703
Dramatic Writing: Stage and ScreenThis module aims to benefit student writing via workshop methodology, whereby students submit and receive feedback on their dramatic writing. We will also be reading published authors and viewing productions as a way to further understand the art and craft of dramatic writing.
CWMA704
The Business of Writing: Before and After DissertationStudents will develop and submit a 'dissertation project' over the course of this module, including a 'description of project', 'research methods', 'research context', 'ethics statement' (if applicable), 'publishing outlets', and a bibliography of primary and secondary sources. They will also develop and submit a sample of work-in-progress, i.e. work which will inform or constitute part of their dissertation.
CWMA705
Creative Writing DissertationStudents will undertake and complete an approved creative writing project such as a collection of poems or stories, a play or film-script, a non-fiction narrative, a section of a novel, a digital project, or an 'artist's book'. Projects requires 15,000 new words; i.e. words which have been previously unassessed, or equivalent if written in form more economical with words (such as poetry).
Every postgraduate taught course has a detailed programme specification document describing the programme aims, the programme structure, the teaching and learning methods, the learning outcomes and the rules of assessment.
The following programme specification represents the latest programme structure and may be subject to change:
Entry requirements
Evidence of your writing ability is required. A sample of no more than ten pages of original writing must be submitted with all applications.
Fees, costs and funding
Student | 2024-2025 | 2025-2026 |
---|---|---|
Home | £9,700 | £9,700 |
International | £17,600 | £18,150 |
Part time (Home) | £540 | £540 |
Find out more about your eligibility for a postgraduate loan
Tuition fee discount for University of Plymouth graduates
- 10% or 20% discount on tuition fees for home students
- For 2024/2025 entry, a 20% discount on tuition fees for international students (International alumni who have applied to the University through an agent are not eligible to receive the discount)
Postgraduate scholarships for international students
How to apply
When to apply
Before you apply
- evidence of qualifications (degree certificates or transcripts), with translations if not in English, to show that you meet, or expect to meet the entry requirements
- evidence of English language proficiency, if English is not your first language
- a personal statement of approximately 250-400 words about the reasons for your interest in the course and outlining the nature of previous and current related experience. You can write this into the online application form, or include it as a separate document
- your curriculum vitae or résumé, including details of relevant professional/voluntary experience, professional registration/s and visa status for overseas workers
- proof of sponsorship, if applicable.
Disability Inclusion Services
International students
Submitting an application
What happens after I apply?
Telephone: +44 1752 585858
Email: admissions@plymouth.ac.uk
Admissions policy
"At the beginning of the course I was unsure of myself as a writer, I’d never studied creative writing academically before and I’d never shared my writing with others. The first time I handed my work over to the rest of the class to read and critique was scary but the experience proved incredibly valuable. Workshop sessions were always informal, encouraging, the tutors supportive, and I was able to explore how I wrote and developed my skills. They also gave me confidence to push against my boundaries."
Graduate profile – Tom Vowler
"I found it thrilling to be around creative people, where risk taking and debate were encouraged, the craft of writing deconstructed and challenged."
INK journal
Published by the University of Plymouth Press, and supported by English and creative writing staff, INK is entirely edited and produced by our students.
Writing my own story
“On the MA Creative Writing programme, not only did my confidence in myself and my ability grow, I felt like I found a place I belonged. I felt in sync with their ethos – to grow together, to take risks and challenge yourself.
“To share ideas with peers, to bounce and mould a first draft into a final one, was always a rewarding challenge.”
English and creative writing research
Our staff have published extensively and internationally across a diverse range of fields in literary criticism and creative writing.
Creative writing commission: Recovery
"Recovery is feeling at home in the peace and acknowledging the chaos"
Professor Anthony Caleshu talks about his writing, editing and research of contemporary poetry, as well as his teaching of creative writing in this short video.
People
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Professor Anthony Caleshu
Professor
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Dr Miriam Darlington
Lecturer in English and Creative Writing
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Dr Mark Leahy
Associate Lecturer A