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PHO401
Essentials
20 credits
In this module students are introduced to core photographic, technical and methodological processes and principles. Key photographic methodologies are explored through workshops, tutorials and personal photographic exploration.
100% Coursework
PHO402
Developing Practice
40 credits
This module aims to further establish key processes, skills and methodologies fundamental to photographic activity. Students relate contextual knowledge gained through research via the critical analysis of students’ own work and that of contemporary and historical practitioners.
100% Coursework
PHO403
Tableaux
20 credits
This module enables students to begin to establish their understanding of professional contexts by responding to a ‘live brief’ set by a designated industry stakeholder. The brief will engage students to work in groups to produce, construct and photograph an ambitious narrative tableaux in the studio or on location.
80% Coursework
20% Practicals
PHO404
Storytelling
40 credits
Students explore the process of storytelling in the form of a photo essay and bookwork, introducing and expanding the practices of editing, sequencing, layout, and design. The principles of ethical representation will be introduced into their contextual understanding. Students will further develop synergies between practice and historical cultural contexts through written and verbal form.
100% Coursework
PHO501
Mediations
40 credits
This module engages students in forms of contemporary photographic practice involving still and moving image, sound and text. A single multimedia time-based output is constructed over the course of the module. Emphasis is placed on developing work that is informed by an understanding of historical and contemporary lens-based practice and culture and associated contextual research (theoretical and practical).
100% Coursework
PHO502
Futures
20 credits
The module is designed to contribute the development of students’ contextual understanding of their discipline, and focus this towards identifying personal career aspirations, means of sustainable career development, and the opportunities offered, directly and indirectly, by the industry.
100% Coursework
PHO503
Common Challenge: Collaboration
20 credits
The module offers the opportunity to students to look outwards, to engage or work with others collaboratively. Thematically, the research and project focus will relate to UN Sustainable Development Goals incorporating an interdisciplinary agenda. Student practice is developed through interaction, exchanging of ideas and actively researching/collaborating with an external individual, group or organisation.
100% Coursework
PHO504
Establishing Practice
40 credits
In this module, students negotiate a theme from which to develop a series of art/media/design works or artefacts. They are expected to experiment with media/s in order to develop and produce a body of work that explores the practical, theoretical and technical aspects of their individual areas of interest within photography. Students are introduced to and prepare for the Common Dissertation module.
100% Coursework
ADA600
Common Dissertation: Critical Practices
20 credits
The module engages students in situating practice through research, contextualisation and critical reflection, in relation to their final stage study and post University aspirations. Programmes can offer: a traditional dissertation; preparation for an extended dissertation; situating existing practice; or the construction of a new body of work as practice-based research.
100% Coursework
PHO602
Negotiation
20 credits
In this module each student develops an experimental programme of photographic practice in negotiation with tutors, through careful reflection on personal aims and objectives for the final year of study.
100% Coursework
PHO603
Resolution
60 credits
After an initial period of self-initiated preparation, research and consultation, students prepare and submit a written proposal for the consolidation of a body of work. Subject to the approval of the module team, the student undertakes a period of self-negotiated study leading to the production of a substantial body of work, supported by a critical reflection.
100% Coursework
PHO604
Extended Dissertation
20 credits
This module completes the Photography research syllabus with an extended essay, researched and written by each student. Students have the opportunity to research and reflect on a subject of their choice, within an area associated with their practice discipline.
100% Coursework
PHO605
Professional Futures
20 credits
Delivered across the third and final year, this module is geared towards students focussing on their career aspirations post university and researching, collating, reflecting and networking to create an ‘exit-strategy’ that will enable them to be ‘ready and able’ and to achieve potential employability.
100% Coursework
UCAS tariff
96 - 120
Contextual offers: Typically, the contextual offer for this course is 8 points below the advertised tariff. A contextual offer is an offer to study at university that takes into account individual circumstances that are beyond your control, and that can potentially impact your learning and your exam results, or your confidence in applying to university.
New student | 2024-2025 | 2025-2026 * |
---|---|---|
Home | £9,250 | £9,535 |
International | £17,100 | £17,600 |
Part time (Home) | £770 | £795 |
* UK Government announcement on tuition fees
On Monday 4 November 2024, the UK Government announced a proposal to increase tuition fees for home undergraduate students from £9,250 to £9,535 per annum from September 2025 onwards. The University of Plymouth intends to apply this new fee from September 2025. However, implementation of this increase will be subject to parliamentary procedure. This change applies to new students starting their studies in September 2025. For current and returning students, the University is reviewing fees and will update you as soon as possible.
"The main reason to study photography in Plymouth for me was a mix between the course size and location. I went to view a lot of universities at the time, and I was completely put off by the large course size and the idea of being a number on a page in such an emotive subject. I wanted a personal relationship with my lecturers and a personal relationship with other people on the course. This support system was very important for me, and I feel like I really got that here."
When I came to the University and I met the lecturers, I realised it was the best decision that I took for myself. They guide you, they shape you, they shape your work. They help get the best out of you.