BA (Hons) Creative Writing with Foundation

SSC301
Discovering Your Inner Academic 30 credits

In this module, students will learn the core academic and organisational skills required to succeed at university. They will benefit from a range of skill development sessions and subject-specific seminars, allowing them to practice applying the delivered academic skills in the context of their field of study.

SSC302
Individual Project 30 credits

Students will undertake, with supervision, an individual project related to their degree programme. Staff will guide students through the process of defining, planning, and setting up their project. As part of the module, students will gain research and time management skills that will support their successful progression through their degree programme.

SSC306
Literature, History and Visual Cultures 30 credits

This module explores the key texts and voices that have changed the ways in which we think and write the Humanities. It will investigate how thinkers, poets and writers have shaped our contemporary world, and the ways in which we study it. Based on this, this module will also explore the ways in which literature, art, film, media, memory and heritage impact on history and writing today. Students will examine a range of classic and contemporary literary texts as well as visual and media sources and consider the role of technologies in the Humanities. The module will be constructed around the exploration of key themes, for example gender and sexuality, faith, war, and race and ethnicity, using interdisciplinary approaches to identify how they have shaped the Humanities of the 21st century.

SSC309
Imagining the Past 30 credits

This module will introduce concepts central to historical and literary study in the Humanities including: Time; Space; and Experience. Students will work with a range of sources to understand how the Humanities engage with the past. Students will develop the tools needed for progression to Higher Education, with a particular focus on analysing textual materials and essay-writing.

ENG4001
Gods, Monsters, and Heroes: Myths and Legends in Literature 20 credits

This immersive module provides an important grounding for new students studying English and Creative Writing. Based around some of the earliest written texts that underpin Western literature, the module engages with a number of issues to enable students to gain an understanding of the historical development of literature and the ways in which texts relate to each other over the centuries.

ENG4003
The Craft of Writing I: Prose Fiction and Non-Fiction 20 credits

This module introduces students to the key concepts and issues in creative writing through the practise of workshops. We will read classic contemporary works of fiction and nonfiction including autobiography, travel writing, poetry sequences, essays and reportage. We will produce our own works, and critically evaluate and contextualise them.

ENG4007
Rewritings: Contemporary Literature and its Histories 20 credits

This module will examine how and why modern and contemporary authors have rewritten or reworkedinfluential literary texts of the past. Students will engage with a range of different literary forms,including fiction, poetry, drama and, where appropriate, film. By investigating the impulses behind suchintertextual acts, students will explore the ways in which literature engages with the cultural politics ofits times, focusing particularly on issues of gender, ethnicity, sexuality, class and aesthetics. This module will include 2, 2 hour talks that introduce our School and programme level employability related opportunities and support, including details of the optional placement year.

ENG4008
The Craft of Writing II: Poetry and Drama 20 credits

This module continues the trajectory of the study of ‘the craft of writing’, emphasising poetry and dramatic writing. We’ll explore how creative writing constitutes a ‘practice-as-research’ discipline, whilst studying relevant writing theory, contextual literature, and literary criticism. Lectures will introduce topics, and subsequent workshops will promote the development of student work through feedback. Students will submit creative work alongside ‘research statements’ twice during the term, in the form of portfolios.

ENG4009
Make it New: Digital Writing 20 credits

This module introduces students to writing digitally for, most notably, the Web, and its various platforms (from blogs to websites to Twitter etc). Students are invited to explore and expand ideas around authorship and audience and the writing (or images) that connects them as ‘content’, in its myriad of possible forms and formats. It will also introduce speculative and theoretical ideas about the relation between the self, writing, and digital forms. The module is taught through lecture, seminars, and workshops where students are asked to submit and feedback to peers and tutors on a regular basis.

ENG4010
Adventures in Criticism: Introduction to Critical Theory 20 credits

This module will introduce some key critical theories relevant to the study of English literature. It will familiarise students with a range of theoretical perspectives and enable them to develop an understanding of different ways of reading literature, and its wider contexts.

ENG5004
The Impact of Publishing 20 credits

The module will provide an introduction to some of the key concepts in publishing history. It will look at the ways that knowledge has been captured, stored, retrieved, disseminated, policed and suppressed. It will consider how the development of different writing and printing technologies changed the understanding of the self and the self in relation to the world. It will discuss the creation, production, publication, distribution and reception of texts within their cultural, economic and technological contexts.

ENG5005
Professional Writing for Different Media 20 credits

In the context of this module, Professional Writing refers to commercial content for a variety of media outlets including advertising and marketing, as well as other ‘businesses’ which students have imagined and created themselves. Students will experiment with creative formats such as posters, reviews, reports, ‘copy’, interviews, the op-ed (opinion-editorial). The module is taught through lecture, seminars, and workshops where students are asked to submit and feedback to peers and tutors on a regular basis.

ENG5011
Dramatic Writing for Stage, Screen and Beyond 20 credits

This course explores a wide range of dramatic writing and dramatic writing theory, integrating critical reading with creative writing projects. Class time will be spent discussing published authors/texts/productions, writing/reading theories, compositional processes, practical exercises, and student work.

ENG5012
Burning Issues: Interdisciplinary Writing Project 20 credits

This module asks students to engage with the 'burning issues' of our times, by thinking outside of their own discipline and engaging with research taking place in other departments, schools and faculties around the university, or even the country and the world. Students select a topic from outside their discipline and then, through research and communication with experts in the chosen field, devise a writing project to communicate and explore their chosen issue. The module is taught through lecture, seminars, and workshops where students are asked to submit and feedback to peers and tutors on a regular basis.

SSC500
Stage 2 Professional Development, Placement Preparation and Identifying Opportunities 0 credits

This module is for students in the School of Society and Culture who are interested in undertaking an optional placement in the third year of their programme. It supports students in their search, application, and preparation for the placement, including developing interview techniques and effective application materials (e.g. CVs , portfolios, and cover letters).

PIR5013MX
Politics Beyond Parliaments 20 credits

This module analyses the role of civil society and the public sphere in democratic governance and in democratization from a variety of theoretical perspectives.

CRM5003MX
Harm in the 21st Century 20 credits

This module explores the global challenges of harmful behaviours and activities in contemporary society by considering specific areas of concern for criminologists. By drawing on real-world examples in everyday life, the module examines how social problems and issues have arisen due to processes of globalisation that have changed the social, political and economic landscape of the 21st century.

CRM5009MX
Crime, Harm and Culture 20 credits

The module aims to provide students with a critical appreciation of harm and crime by exploring relevant issues from film, television, music, fiction literature and art. By applying a criminological lens to different forms of popular culture, students will be able to examine a variety of media forms in terms of its content and its contemporary political, social and economic context using different theories and concepts.

ENG5002MX
Gothic Fictions: Villains, Virgins and Vampires 20 credits

This module looks at eighteenth- and nineteenth-century novels to trace the variety and scope of literary contributions to the Gothic. It begins by discussing the origins of the Gothic novel, then moves to the heyday of the genre in the revolutionary 1790s, on to authors writing in the early and mid-nineteenth century, through to the decadence of the 1890s.

ENG5013MX
‘Hurt Minds’: Madness and Mental Illness in Literature 20 credits

This module considers changing attitudes towards, and a variety of theories of, the mind, examining how different cultures have understood ‘healthy’ and ‘unhealthy’ mental states. It will look at how the experience and treatment of mental illness has been represented in fiction. The mind is at its most fascinating when it behaves outside of expected social norms. By considering a variety of literary texts over several centuries, this module explores shifts in the definition, understanding, evaluation, and management of exceptional mental states.

ENG5017MX
Writing Genre Fiction 20 credits

This module takes students into in-depth engagement with prose fiction writing in various genres, with possibilities including fantasy, science-fiction, period/historical, young adult fiction, horror, comedy, romance, crime, and thriller. The module is taught through lecture, seminars, and workshops where students are asked to submit and feedback to peers and tutors on a regular basis.

PER5008MX
Play and Games for Performance 20 credits

This module will introduce students to practical methods for designing games and play structures for participatory performances that invite audiences to become actively involved in the work. In addition to learning new tools for designing and facilitating play, students will be prompted to consider playfulness from a theoretical perspective, recognising the connection between the play of mimesis and theatrical performance.

LAW5019MX
Law in Context: Commerce and Intellectual Property 20 credits

This module focuses on the work of commercial lawyers in practice in helping businesses to trade. It analyses a range of contractual agreements dealing with the manufacture, sale, supply and distribution of goods, assets and services in general and intellectual property in particular.

PIR5014MX
Voter Behaviour and Effective Election Campaigning 20 credits

This module undertakes an advanced examination of contemporary trends and developments in theories of electoral behaviour globally; then more specifically the relationship between electoral rules, electoral systems and election outcomes; the evolution of campaign techniques, and the role, mechanics, and accuracy of opinion polls in modern electoral politics. These global understandings are applied directly to the case of British politics.

SSC600
School of Society and Culture Placement Year

Students have the opportunity to gain work experience that will set them apart in the job market when they graduate by undertaking an optional flexible placement year. The placement must be a minimum of 24-weeks (which can be split between a maximum of two different placement providers) and up to a maximum of 48-weeks over the course of the academic year. The placement is flexible and can be undertaken virtually, part or full time and either paid or voluntary. This year allows them to apply and hone the knowledge and skills acquired from the previous years of their programme in the real world.

ENG6001
Dissertation 40 credits

The student will complete, under tutorial supervision, a significant project in critical or creative writing. Maximum length 9000-10,00 words or equivalent in creative form.

ENG6002
Modern and Contemporary Literature 20 credits

This module will explore a number of themes through an examination of writing published in the approximate period 1910-1930. The themes will include structural and linguistic experimentation, historical and artistic influences, the First World War and literary networks.

ENG6007
Advanced Poetry Workshop 20 credits

In this final year module we will examine a range of contemporary poetry and poetic theory as a way for students to advance their own composition of poems. Class time will be divided between seminar discussions of published poetry/theory, writing exercises, and workshops of student poetry.

ENG6009
Script to Screen: Making Films, Podcasts, and More 20 credits

This final year module asks students to realise an original script of their own making with an on-screen production. In addition to writing their own scripts, students will be introduced to the production side of things, including storyboarding, working with actors, cameras, and using film-making software. We’ll also study some classic examples of page to screen adaptations (albeit most on bigger budgets than you’ll have!). The module is taught through lecture, seminars, and workshops where students are asked to submit and feedback to peers and tutors on a regular basis.

ENG6010
Brave New Worlds: Sci-Fi, Fantasy and Politics 20 credits

Science Fiction seems to be a field or mode that is particularly difficult to define, in part because it crosses over with many other forms. But it is also one of the most popular types of literature easily ranging from the highbrow to the low. This module will explore SF writing since 1960, with a particular focus on the hybridity of the field and the ways in which it intersects with fantasy writing, to explore a range of political issues in the contemporary world. SF is ‘a wide-ranging, multivalent and endlessly cross-fertilizing cultural idiom.’ (Roberts, 2006, 2) But is it really concerned with the future, or in fact, driven by nostalgia to engage with the ways in which the past has constructed the present? The module will be thematically structured and will concentrate on Anglophone writing.

ENG6003
Advanced Short Story Workshop

In this module we will examine a range of contemporary short story writing and relevant theory as a way for students to learn how to compose their own short fiction. Class time will be divided between discussion of short fiction and theory, writing exercises and peer workshops of student work. The workshops will be substantially informed by staff research practice.

ENG6005MX
American Crime Writing 20 credits

This module considers the development of twentieth-century American crime fiction from hard-boiled detectives, to myths of the mafia, and postmodern reinventions of the genre. This module will explore the cultural contexts of American crime writing, prevailing conventions of the genre, as well as challenges to those conventions.

ENG6008MX
Features Journalism Workshop 20 credits

This module offers students an in-depth experience of professional writing. We will explore technique in features and literary journalism; music reviews, opinion columns and longer immersion features as well as other contemporary works of non-fiction feature writing, both short- and long-form, from sub-genres including profiles and interviews, autobiography and columns, travel writing, and reportage. We will learn to research and produce our own works of professional nonfiction and critically evaluate them.